Two nights ago, I had a long visit with a well established artist friend living here in southern Vermont. We chatted in his studio about art, kids, food, and poker. Then he took me through a couple rooms in his house. Hanging on his walls were original paintings by artists he knew nothing about. They were all a complete mystery to him. At first this felt sad. Then he told me he and his wife only collect original art they find at yard sales. This, coming from an artist who receives thousands of dollars for his originals. Yet his own collection consists of art he bought on the ultra cheep. “I love these treasures!” he told me. Each one had a story and each one intrigued him aesthetically. I enjoyed his enthusiasm. Right there, I decided to revisit two paintings in my collection that I had picked up for next to nothing at a local tag sale.
Mystery paintings on my wall.
I love these two little pieces. I too know nothing more than the artist name (J. Field), and they were framed in New York City by Art Associates. That’s all I can tell anyone. My limited research has revealed nothing more.
So now when my friend comes by my home, I can tell him virtually the same story he told me. “And these two little pieces came from nowhere for practically nothing, and I know nothing… aren’t they wonderful?”
Have fun collecting art! Steven
Very old sign as you get close to the treehouse
When I was a young teenager, a husband and wife built a tree house up on the mountain above our village of Townshend. Southern Vermont had it’s share of hippies and this house in the trees was host to a couple of them. The man was an elementary school teacher and his wife was… I don’t know. I do know now that she is the sister of Vermont artist Charlie Hunter. They lived in the trees for several years.
The tree house always intrigued me. I was one of six kids and this abode in the sky seemed like a great place to escape to. Upon returning to the place during my college years, I found it abandoned, dilapidated, and not quite as glorious as I had remembered. I took pictures that snowy day, did some sketches later, and never really paid much attention to it again.
It’s always been a fun story and a bit of a landmark because it’s just off a hiking/snowmobile trail.
Some evidence of life back then
Recently, I pulled out an old drawing of the place that I drew back in art school. I recreated the piece in the India ink washes I work in now. It’s 9” x 12”, mounted on wood panel and really looks nice. Something I’d typically exhibit.
So here’s the thing… I just hiked up to the old tree house (not much there but some metal scraps) and hung the art in a nearby ash tree. The art is there for whoever wants to go get it. Lots of locals know the spot.
The art is protected from the weather and faces north, away from direct sunlight. And, if you do bring it down, please give it a good home. Original art is an important part of a home and a family. Like all originals, this one has a story to tell.
Good Luck. Steven CONGRATULATIONS! ARTWORK WAS FOUND & CLAIMED 3-29-18!
In the fall of 1995, I bought a house on a hill here in Southern Vermont. It was my first home. I was a bachelor. I was excited as I looked forward to turning my house into a home.
On that bright October afternoon, I unlocked the old wooden door and stepped inside. The sun was low and streamed in through the west facing windows. The house was completely empty. There wasn’t a shade, a dish, or even a light bulb in the fridge. I couldn’t wait to make this place my own.
The bare rooms and the absence of any noise overtook me for a few minutes. It suddenly felt like I had just stepped inside the empty shell of a life. The life had gone away and there was no way to ever know the stories that took place between these walls.
That’s when I noticed it. Hanging above the fireplace, nicely framed, was an oil painting. A landscape. A winter scene. A house on a hill. I was charmed. It wasn’t painted by a particularly accomplished artist but it was most definitely my house.
It was not a mistake. Nobody accidently leaves one painting hanging while every other object has been packed up and moved or discarded. This painting came with the house. Judging from the size of the young maple depicted in the front yard, the painting was about twenty years old.
I love original art. The story behind each work adds much to the piece. And together, the art and the story contribute much to turning a house into a home.
My wife and I have a growing art collection that we enjoy everyday. My “House on a Hill” circulates to various walls around our home and sometimes spends a season in storage. That’s okay. That painting doesn’t belong in our collection. It belongs to the house.
One day, when we move on, I’ll leave it hanging above the fireplace. I’ll add a bit of our story too. On the mantel will be an original landscape painted by me. It will be smaller and nicely framed. Perhaps the story will go something like, “And years later, a slightly more accomplished artist painted the house on a hill when the peach trees were young and children had built a snowman in the backyard.”
Anyone can buy a French Impressionist poster, and many people do. But nobody comments, “Where did you discover that artist, his work is amazing.” Or “Hey, did you know Monet?”
Reproductions are fine but the story ends right where it began. “I bought it at the mall.” just doesn’t captivate anyone.
On the other hand, original art can be expensive. And often, there is good reason for this. But don’t be fooled, one of a kind art can be found on the cheep too. There may be some secrets to getting great deals but I think it’s more about just loving the art you choose.
So, do you choose the art because you love it or do you love the art because you chose it?
Which makes a better story for your curious guests? In our home, paintings from accomplished landscape artists live alongside art from street vendors found in Budapest and Peru. Which story is better? You decide.
Painting 1: This old farm is at the base of Mount Mansfield. It’s on the way to my favorite hike here in Vermont. The artist, Mark Boedges, told me about the challenges of creating this piece.
Painting 2: This painting is done on dried llama hide. The two figures represent the river and mountains just to the north of Machu Picchu. You should have seen my mother in law haggling over the price.
The stories of purchasing (or trading, finding, uncovering) art cheep can be just as interesting as the tales of acquiring the pricy pieces. In the end, art is not just a possession, it’s a story.